Disclaimer: This essay discusses spoilers for Stage Fright as well as The Usual Suspects. If you want to avoid spoilers, … Continue reading Week 14: Stage Fright (1950), More Failure, and Akira Kurosawa
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 13: Family Plot (1976), Endings, and Star Wars Marathons
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 12: The Pleasure Garden (1925), Inexperience, and Canine Companions
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 11: Saboteur (1942), Arizona, and the Ultimate Hitchcock Movie
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 10: The Man Who Knew Too Much (1956), John Ford, and Crying at the Movies
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 9: The Man Who Knew Too Much (1934), Defining Hitchcock, and Anxiety at a Young Age
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 8: Topaz (1969), James Bond, and The Cat From Outer Space
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 7: Suspicion (1941) Cary Grant, Scrabble Tiles, and Doing the Work
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 6: Young and Innocent (1937), Nova Pilbeam, and Blackface
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 5: Marnie (1964), feminism, film school, and that scene.
Hitchcock 52 