Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 43: Dial M for Murder (1954), 3D, and Becoming a Cinephile
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 42: The Lady Vanishes (1938), Agatha Christie, and Grandmothers
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 41: Frenzy, Rape Scenes, and Werner Herzog
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 40: Notorious, Crane Shots, and Mother Figures
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 39: The Skin Game (1931), Caddyshack, and Limitations.
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 38: The Wrong Man (1956), New York City, and Dive Bars
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 37: Shadow of A Doubt (1943), Monsters, and Turning 40 Part 2
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 36: Number Seventeen (1932), Mad Max, and Turning 40 Part 1
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 35: Easy Virtue (1928), Unconvincing deaths, and Batman V. Superman
Disclaimer: These essays presume you’ve seen the film in question. If you want to avoid spoilers, watch the movie first! … Continue reading Week 34: The Trouble With Harry (1955), Horrible Masculine Sounds, and Filmmaking
Hitchcock 52 